track.title | track.artistsort | index | album.title | album.artistsort | label | duration | writercredit |
Garbage Man Blues | Maurice John Vaughn | 2 | Generic Blues Album - Maurice John Vaughn | Maurice John Vaughn | Alligator | [ 5 mins 24 secs ] | Maurice John Vaughn |
you've got to love her with a feeling | freddy king | 2 | heads up | freddy king | jasmine | [ 3 mins 14 secs ] | king |
I'm No Fool, I Know the Blues | Smokey Wilson | 7 | Sing the Blues | Smokey Wilson | [ 4 mins 2 secs ] | Smokey Wilson | |
Take it to the Bank | Sugaray Rayford | 5 | Southside | Sugaray Rayford | Delta Groove | [ 4 mins 23 secs ] | Rayford, Crawford |
Freight Train | Taj Mahal | 19 | In Progress And Motion | Taj Mahal | SONY | [ 3 mins 19 secs ] | Taj Mahal |
Little By Little | Nappy Brown | 21 | The Influences Behind The Rolling Stones | Various Artists | Hoodoo Records | [ 2 mins 36 secs ] | McCoy |
See See Rider (Studio) | La Vern Baker | 17 | The Best of the Rest | Lavern Baker | Jasmine Records | [ 2 mins 26 secs ] | La Vern Baker |
Leaping Boogie | Crown Prince Waterford | 14 | 1946-1950 | Crown Prince Waterford | BLUES CLASSICS | [ 0 mins 0 secs ] | Crown Prince Waterford |
Triflin' Woman Blues | T-Bone Walker | 21 | You're My Best Poker Hand: The Definitive Collection | T-Bone Walker | Fantastic Voyage | [ 3 mins 12 secs ] | T-Bone Walker |
Jump the Broom | Mr. Sipp | 2 | The Mississippi Blues Child | Mr. Sipp | Malaco Records | [ 4 mins 29 secs ] | Mr. Sipp |
Fix It When I Can | Daddy Mack Blues Band | 4 | A Bluesman Looks At Seventy | Daddy Mack Blues Band | INSIDE SOUNDS | [ 3 mins 40 secs ] | Daddy Mack Blues Band |
35 Miles Outside of Memphis | Slam Allen | 6 | Feel These Blues | Slam Allen | [ 4 mins 17 secs ] | Slam Allen | |
White Rock Rooster | Super Chikan | 9 | Blues Come Home to Roost | Super Chikan | [ 3 mins 53 secs ] | Super Chikan | |
reconsider baby | lowell fulson | 1 | reconsider baby | lowell fulson | jasmine | [ 3 mins 10 secs ] | fulson |
Rockett 88 | Arlen Roth With Johnny Winter | 5 | Slide Guitar Summit | Roth, Arlen | aquinnah | [ 4 mins 35 secs ] | Arlen Roth With Johnny Winter |
Mojo Hand | Andrew 'Blueblood' Mac Mahon | 14 | Go Get My Baby | Andrew 'Blueblood' Mac Mahon | STORYVILLE | [ 4 mins 0 secs ] | Andrew 'Blueblood' Mac Mahon |
I Got the Blues When it Rains | Buster Brown | 9 | I'm Going But I'll Be Back | Buster Brown | Jasmine | [ 2 mins 30 secs ] | Buster Brown |
walking dr. bill | b. b. king | 2-12 | blues in transition (my kind of blues) | b. b. king | hoo doo | [ 3 mins 33 secs ] | ling |
I'm Through Dealing | Eddie Bo | 13 | Keep It Rollin' - Blues Piano Collection | Various Artists | Rounder | [ 2 mins 41 secs ] | Eddie Bo |
Bass on Top | Meade Lux Lewis | 5 | The Best Of Boogie Woogie | Various Artists | DOCUMENTS | [ 3 mins 42 secs ] | Meade Lux Lewis |
Ain't Gonna Hush | Cordella De Milo | 4 | Ain't Gonna Hush: The Queens Of Rhythm & Blues | Various Artists | Fantastic Voyage | [ 2 mins 34 secs ] | Cordella De Milo |
Good Gravy Baby | Varetta Dillard | 15 | Ain't Gonna Hush: The Queens Of Rhythm & Blues | Various Artists | Fantastic Voyage | [ 2 mins 36 secs ] | Varetta Dillard |
Humdinger | Little Marie Allen | 23 | Ain't Gonna Hush: The Queens Of Rhythm & Blues | Various Artists | Fantastic Voyage | [ 2 mins 17 secs ] | Little Marie Allen |
Wanna Be Loved (All Nite Long) | Bee Bee Queen With Teacho's Orch. | 13 | The Devil Hates You: Serious '50S Female Jivers | Various Artists | [ 2 mins 19 secs ] | Bee Bee Queen With Teacho's Orch. | |
neighbour neighbour | jimmy hughes | 14 | fame singles vol. 2 | jimmy hughes | ace | [ 2 mins 40 secs ] | hughes |
Step in the Right Direction | Brother Prince Dixon | 8 | Wow, Wow, Baby! 1950S R&b, Blues And Gospel From Dolphin's Of Hollywood | Various Artists | Ace Records | [ 2 mins 21 secs ] | Brother Prince Dixon |
you got me hummin | otis clay and billy price | 12 | this time for real | otis clay | [ 3 mins 18 secs ] | clay | |
rock and roll | chuck higgins | 24 | Wow, Wow, Baby! 1950S R&b, Blues And Gospel From Dolphin's Of Hollywood | Various Artists | Ace Records | [ 3 mins 21 secs ] | higgins |
Sweet Taste | Harrison Kennedy | 1 | Sweet Taste | Harrison Kennedy | [ 3 mins 18 secs ] | Harrison Kennedy |
Sunday, 31 May 2015
STAR BLUES on 31st May 2015 at 22:00 with Vintage sounds from the ages
.. belated birthday wishes to Taj Mahal and T-Bone Walker. Cracking new projects from Harrison Kennedy and Slam Allen, more reissues from Jasmine, Fantastic Voyage and Ace. In the words of MasterChef, blues radio doesn't get more exciting than this.
Created: 31/05/2015 23:59:48
Sunday, 24 May 2015
STAR BLUES on 24th May 2015 at 22:00 with a big serving of new releases to make up for lost time
Did you know you can get here directly from gary-blue.uk ? Less typing, fewer links, try it next time you stop by.
Lot of catching up with fine new releases
Created: 24/05/2015 23:50:04
Lot of catching up with fine new releases
track.title | track.artistsort | index | album.title | album.artistsort | label | duration | writercredit |
Sell My Monkey | B. B. King | 5 | Introducing B. B. King | B. B. King | MCA | [ 3 mins 2 secs ] | B. B. King |
Guitar Angels | James Armstrong | 11 | Guitar Angels | James Armstrong | Catfood | [ 4 mins 45 secs ] | James Armstrong |
The Blues is Back | Slam Allen | 4 | Feel These Blues | Slam Allen | [ 3 mins 27 secs ] | Slam Allen | |
Look Before You Leap | Kenny Parker | 3 | Yes Indeed! | Kenny Parker | blue angel recordings | [ 5 mins 1 secs ] | angove & Parker |
Cold Blooded Lover | Texas Horns feat WC Clark | 5 | Blues Gotta Holda Me | Texas Horns, The | Vizztone | [ 3 mins 33 secs ] | Clark |
coffee flavoured kisses | Gaye Adegbalola & the Wild Rutz | 5 | Is It Still Good To Ya? | Gaye Adegbalola & the Wild Rutz | [ 3 mins 0 secs ] | Gaye Adegbalola | |
the well runs dry | wynona carr | 3-2 | ain't gonna hush | various artists | fantastic voyage | [ 2 mins 30 secs ] | carr |
a help each other romance | lavern baker w. ben e. king | 3 | best of the rest 1960-1962 | lavern baker | jasmine | [ 2 mins 30 secs ] | singleton |
tollin' bells | lowell fulson | 10 | coplete checker singles 1954-1962 | lowell fulson | jasmine | [ 2 mins 30 secs ] | dixon |
Bip Bop Bip | Pretty Boy (Aka Don Covay) | 24 | Let The Boogie Woogie Rock'n'roll | Various Artists | ACE | [ 1 mins 56 secs ] | Pretty Boy (Aka Don Covay) |
Cool Disposition | Sonny Boy Williamson (Aka Rice Miller) | 14 | One Way Out | Sonny Boy Williamson (Aka Rice Miller) | CLASSIC BLUES | [ 2 mins 43 secs ] | Sonny Boy Williamson (Aka Rice Miller) |
Western Union Man | Chicago Sunny Boy (Aka Joe Hill Louis) | 9 | The Complete Meteor: Blues, R&b, & Gospel Recordings | Various Artists | ACE | [ 3 mins 9 secs ] | john lee sonny Boy williamson |
Hucklebuck Scratch | Riff Ruffin | 2 | Best Of New York On Fire Vols. 1 And 2 | Various Artists | FIRE | [ 2 mins 36 secs ] | Riff Ruffin |
I Held My Baby Last Night | Elmore James | 2 | The Complete Meteor: Blues, R&b, & Gospel Recordings | Various Artists | ACE | [ 3 mins 24 secs ] | Elmore James |
Elevate Me Mama | Muddy Waters | 22 | One More Mile | Muddy Waters | MCA/CHESS | [ 3 mins 20 secs ] | sonny boy williamson aka rice miller |
Davisl04 Angels in Houston | Larry Davis | 3 | dave's dukes | Larry Davis | [ 2 mins 14 secs ] | Larry Davis | |
Black Cat Bone | Albert Collins & Johnny Copeland | 3 | The 20th Anniversary Collection | Various Artists | Alligator | [ 4 mins 58 secs ] | hop wilson |
Standing at the Crossroads | John Primer | 8 | You Can Make it if You Try | John Primer | WOLF | [ 5 mins 42 secs ] | luther allison |
We Can Make it if We Try | Lil' Dave Thompson w. mary taylor | 4 | C'mon Down To The Delta | Lil' Dave Thompson | JSP | [ 3 mins 59 secs ] | feiner |
What'd I Say? | Ruth Brown | 18 | Voodoo Voodoo: Feisty Fifties Females | Various Artists | Fantastic Voyage | [ 2 mins 39 secs ] | Ruth Brown |
Elevator Boogie | Mabel Scott | 5 | Chronological Recordings 1938-1950 | Mabel Scott | CLASSICS | [ 2 mins 20 secs ] | Ray |
Nothin' for Nothin' | Magic Slim | 14 | Alone and Unplugged | Magic Slim | WOLF | [ 3 mins 7 secs ] | Magic Slim |
Captain, Captain | Mance Lipscomb | 2 | Songster | Mance Lipscomb | ORBIS BLUES COLLECTION | [ 3 mins 9 secs ] | Mance Lipscomb |
Biscuit Roller | Jimmy 'Duck' Holmes | 4 | Done Got Tired of Tryin' | Jimmy 'Duck' Holmes | . | [ 4 mins 39 secs ] | Jimmy 'Duck' Holmes |
Guitar Blues | Lonnie Johnson | 8 | Blues Guitar Pioneers | Various Artists | BOULEVARD VINTAGE | [ 3 mins 14 secs ] | Lonnie Johnson |
67 Blues | Little Willie Pollard | 11 | West Coast Guitar Killers - El Segundo Volume 3 (1950-1978) | Various Artists | [ 2 mins 57 secs ] | Little Willie Pollard | |
money aint long enough | Al King | 4 | on my way | al king | [ 3 mins 10 secs ] | Al King | |
It’s Love Baby (24 Hours a Day) | Louis Brooks & His Hi-Toppers | 24 | It's Jamaica Jump Blues Time! Jamaican Sound System Classics 1941-1962 | Various Artists | Fantastic Voyage | [ 2 mins 40 secs ] | Louis Brooks & His Hi-Toppers |
It's Tight Like That | Clara Smith | 8 | The Blues Box | Various Artists | METRO | [ 3 mins 21 secs ] | Clara Smith |
Things That I Used to Do | Lefty Dizz | 8 | The Story Of Black And Blues :1976-1988 | Various Artists | FREMEAUX ET ASSOCIES | [ 4 mins 35 secs ] | Lefty Dizz |
Sunday, 17 May 2015
B. B. King through his rarely heard and hard to find Blues
Our way of saying thank-you to Riley B. King, master guitarist, much loved man: we wanted to pass on some anecdotes and tracks that other tribute shows won't have time for or not know about. Stories about how Lucille got her name and his pairing with the like of U2 are commonplace so we skipped over those.
The biographies do include the bare facts so we did too: born on 16th September 1925 to Nora Ella and Albert King, who were share croppers. His parents divorced when B was 4 and his mother and grandmother died within months of each other when Riley was 10. He carried on living alone in his grandmother's shack for five years before his father took him away unsuccessfully. When he returned he borrowed $15 to buy a red Stella guitar, he became part of a gospel group and was working driving a tractor from can to can't. (can see when the sun was up until you couldn't see after sundown).
His occupation was on the reserved list which meant that he was excused National Service during the war. He did prang the tractor however and he ran away to Memphis to seek out his 2nd cousin Bukka White. His conscience got the better of him and so he returned to the farm to pay for the repair debt. Once that was done he headed back to Memphis.
The first four songs he cut there for Bullet during May 1949 don't often get a full hearing - I found them on a Catfish disc that was issued and swiftly withdrawn for unspecified reasons. (the song about his wife "Miss Martha King" isn't hard to find however). B B King was dismissive when asked about the sides but he shows off some decent singing in a couple of blues styles with enough promise to get him a deal with RPM/Modern the following year.
In 1954 he did guitar duties for a single by Otis Spann, the instrumental "Five Spot" was on the flip side and in our survey on STAR BLUES. By 1956 he was doing over 340 one-night stands in a calendar year (still the record surely). So he invested in a bus "Big Red" but early in 1958 the vehicle was in an accident that killed two people in the other car and truck. All the group escaped unhurt through the back of the bus but B was left with a big bill to pay out of his own pocket. The insurance company had been suspended on the Friday, BB had commitments to fulfil over the weekend and he intended getting replacement insurance on the Monday morning. It took him years to clear it.
His troubles continued in 1958, he met Miles Davis who spoke about how the bizness worked and so started to get itchy feet regarding his contract with the Bihari Brothers. Down in Miami in July he recorded four songs for the Chess label. After some discussions Chess had to hand over the tapes and the sides weren't issued officially in the USA for a couple of decades. Vagaries in European licencing made them more readily available and just about every budget blues anthology having something by BB King used these tracks. "Recession Blues" is a fine piece, "Tickle Britches" done with more tongue in cheek shall we say. The other two are ballads that we ran out of time for last night.
King did sign for ABC in 1962 and his first recording session used the Maxwell Davis Orchestra. One number "Little Mama" laid around unloved from the date, it first saw light of day as an extra to the lovely project Dick Waterman put together to mark B's 80th birthday in 2005. It also had a similarly rare "May I have a talk with you" from the early 70s.
Two other significant events happened in 1971, he followed in the footsteps of Muddy Waters, Howlin' Wolf, Bo Diddley and Chuck Berry by coming to England to record; he also set up F.A.I.R.R. with lawyer F Lee Bailey. The "In London" album included a track where he put Lucille on one side in favour of an acoustic instrument, he got backing from Alexis Korner and Humble Pie where Steve Marriott was understated on harp. The charity was something dear to BB King's heart as he thought he'd only just marginally avoided his life taking a criminal path at different times. the FOUNDATION for ADVANCEMENT of INMATE REHABILITATION and RECREATION was an important initiative as so many of the inmate population in America are African-American. He played dozens and dozens of gigs behind bars for prisoners; he recorded projects at Sing Sing, San Quentin and the gig at Cook County in 1971 (it yielded one of his landmark albums). In 1993 his concert in Gainesville prison included a family member in the inmate throng. "People" magazine ran a feature piece.
The Ali-Frazier fight billed as "Rumble In the Jungle" took place in Zaire in 1974, there was to be a filmed concert the day before as build up to the encounter. BB King was on the bill and he is in the film, the song "Sweet Sixteen" from the event was put onto the sampler prom for 2012's bio-pic "Life of Riley" so we put it into our tribute running order. Though B has always been a seasoned traveller he was less than thrilled with the plane used to get him to the gig: a tiny three wheeler so laden down that the front wheel barely touched the ground. There were genuine concerns about the plane's ability to take off and land. The weight was in the band equipment carried by James Brown entourage (theirs wasn't a one off gig in Zaire, they were due the entire continent). Luckily common sense prevailed and BB persuaded James to ship his gear on a separate flight for the remaining journeys.
We did have a number of songs where B provided guest guitar and we think you'll agree Lucille was always present as a distinctive voice no matter the setting. "Patches" is a pretty sentimental piece of hokum but just savour how far BB King dug down to let his guitar soar above the string arrangement. It was a masterful piece of showmanship. There was a telling dialogue with Elvin Bishop before and after their version of Roy Milton's "Keep A Dollar In Your Pocket", B asks Elvin if he could remember B stating he was King of the blues, Bishop had to concede not: surely ending the nonsense about "King of the Blues" once and for all.
Riley B. King a lowly sharecropper upbringing did play for Kings, Presidents and the Pope - he never forgot seeing the body of a black man displayed for public entertainment on court house steps after execution. He played for prison inmates and became an honourary doctor at Yale. He endorsed Pepsi, KFC, Budweiser and Panasonic. He even appeared in the Simpsons.
The most recent song we played was a piece he did with Buddy Guy, wherein they reflected on how lucky they'd been and how they enjoyed how things were turning out for them - only seasoned road warriors that had seen and done what they have would be entitled such reflective contemplation. Buddy Guy commented to his friend "You're the best that did it and got away with it".
Thank goodness he did, he filled a huge hole in our souls and when it all comes down, his music will still be around.
Created: 18/05/2015 17:48:22
The biographies do include the bare facts so we did too: born on 16th September 1925 to Nora Ella and Albert King, who were share croppers. His parents divorced when B was 4 and his mother and grandmother died within months of each other when Riley was 10. He carried on living alone in his grandmother's shack for five years before his father took him away unsuccessfully. When he returned he borrowed $15 to buy a red Stella guitar, he became part of a gospel group and was working driving a tractor from can to can't. (can see when the sun was up until you couldn't see after sundown).
His occupation was on the reserved list which meant that he was excused National Service during the war. He did prang the tractor however and he ran away to Memphis to seek out his 2nd cousin Bukka White. His conscience got the better of him and so he returned to the farm to pay for the repair debt. Once that was done he headed back to Memphis.
The first four songs he cut there for Bullet during May 1949 don't often get a full hearing - I found them on a Catfish disc that was issued and swiftly withdrawn for unspecified reasons. (the song about his wife "Miss Martha King" isn't hard to find however). B B King was dismissive when asked about the sides but he shows off some decent singing in a couple of blues styles with enough promise to get him a deal with RPM/Modern the following year.
In 1954 he did guitar duties for a single by Otis Spann, the instrumental "Five Spot" was on the flip side and in our survey on STAR BLUES. By 1956 he was doing over 340 one-night stands in a calendar year (still the record surely). So he invested in a bus "Big Red" but early in 1958 the vehicle was in an accident that killed two people in the other car and truck. All the group escaped unhurt through the back of the bus but B was left with a big bill to pay out of his own pocket. The insurance company had been suspended on the Friday, BB had commitments to fulfil over the weekend and he intended getting replacement insurance on the Monday morning. It took him years to clear it.
His troubles continued in 1958, he met Miles Davis who spoke about how the bizness worked and so started to get itchy feet regarding his contract with the Bihari Brothers. Down in Miami in July he recorded four songs for the Chess label. After some discussions Chess had to hand over the tapes and the sides weren't issued officially in the USA for a couple of decades. Vagaries in European licencing made them more readily available and just about every budget blues anthology having something by BB King used these tracks. "Recession Blues" is a fine piece, "Tickle Britches" done with more tongue in cheek shall we say. The other two are ballads that we ran out of time for last night.
King did sign for ABC in 1962 and his first recording session used the Maxwell Davis Orchestra. One number "Little Mama" laid around unloved from the date, it first saw light of day as an extra to the lovely project Dick Waterman put together to mark B's 80th birthday in 2005. It also had a similarly rare "May I have a talk with you" from the early 70s.
Two other significant events happened in 1971, he followed in the footsteps of Muddy Waters, Howlin' Wolf, Bo Diddley and Chuck Berry by coming to England to record; he also set up F.A.I.R.R. with lawyer F Lee Bailey. The "In London" album included a track where he put Lucille on one side in favour of an acoustic instrument, he got backing from Alexis Korner and Humble Pie where Steve Marriott was understated on harp. The charity was something dear to BB King's heart as he thought he'd only just marginally avoided his life taking a criminal path at different times. the FOUNDATION for ADVANCEMENT of INMATE REHABILITATION and RECREATION was an important initiative as so many of the inmate population in America are African-American. He played dozens and dozens of gigs behind bars for prisoners; he recorded projects at Sing Sing, San Quentin and the gig at Cook County in 1971 (it yielded one of his landmark albums). In 1993 his concert in Gainesville prison included a family member in the inmate throng. "People" magazine ran a feature piece.
The Ali-Frazier fight billed as "Rumble In the Jungle" took place in Zaire in 1974, there was to be a filmed concert the day before as build up to the encounter. BB King was on the bill and he is in the film, the song "Sweet Sixteen" from the event was put onto the sampler prom for 2012's bio-pic "Life of Riley" so we put it into our tribute running order. Though B has always been a seasoned traveller he was less than thrilled with the plane used to get him to the gig: a tiny three wheeler so laden down that the front wheel barely touched the ground. There were genuine concerns about the plane's ability to take off and land. The weight was in the band equipment carried by James Brown entourage (theirs wasn't a one off gig in Zaire, they were due the entire continent). Luckily common sense prevailed and BB persuaded James to ship his gear on a separate flight for the remaining journeys.
We did have a number of songs where B provided guest guitar and we think you'll agree Lucille was always present as a distinctive voice no matter the setting. "Patches" is a pretty sentimental piece of hokum but just savour how far BB King dug down to let his guitar soar above the string arrangement. It was a masterful piece of showmanship. There was a telling dialogue with Elvin Bishop before and after their version of Roy Milton's "Keep A Dollar In Your Pocket", B asks Elvin if he could remember B stating he was King of the blues, Bishop had to concede not: surely ending the nonsense about "King of the Blues" once and for all.
Riley B. King a lowly sharecropper upbringing did play for Kings, Presidents and the Pope - he never forgot seeing the body of a black man displayed for public entertainment on court house steps after execution. He played for prison inmates and became an honourary doctor at Yale. He endorsed Pepsi, KFC, Budweiser and Panasonic. He even appeared in the Simpsons.
The most recent song we played was a piece he did with Buddy Guy, wherein they reflected on how lucky they'd been and how they enjoyed how things were turning out for them - only seasoned road warriors that had seen and done what they have would be entitled such reflective contemplation. Buddy Guy commented to his friend "You're the best that did it and got away with it".
Thank goodness he did, he filled a huge hole in our souls and when it all comes down, his music will still be around.
track.title | track.artistsort | index | album.title | album.artistsort | label | duration | writercredit |
I'm Movin' on | B. B. King | 1 | There Is Always One More Time | B. B. King | MCA | [ 4 mins 16 secs ] | sample / Jennings |
Sinner's Prayer | Ray Charles & B. B. King | 9 | Genius Loves Company | Ray Charles | CONCORD | [ 4 mins 20 secs ] | fulson |
Stay Around a Little Longer | Buddy Guy Featuring B.B. King | 4 | Living Proof | Buddy Guy | SILVERTONE | [ 5 mins 0 secs ] | hambridge / nicholson |
Alexis' Boogie | B. B. King w. Alexis Korner & Humble Pie | 1 | In London | B. B. King | BLUESWAY | [ 3 mins 29 secs ] | B. B. King / Alexis Korner |
Little Mama | B. B. King | 6 | B. B. King Treasures | B. B. KingDick Waterman | BULLFINCH PRESS | [ 1 mins 51 secs ] | B. B. King |
May I Have a Little Talk With You | B. B. King | 12 | B. B. King Treasures | B. B. KingDick Waterman | BULLFINCH PRESS | [ 3 mins 53 secs ] | B. B. King |
Walking Dr. Bill | B. B. King | 1 | Life Of Riley | B. B. King | UNIVERSAL | [ 5 mins 41 secs ] | clayton |
Sweet Sixteen | B. B. King | 7 | Life Of Riley | B. B. King | UNIVERSAL | [ 6 mins 11 secs ] | B. B. King |
Patches | George Jones & B. B. King | 11 | Rhythm Country And Blues | Various Artists | MCA | [ 6 mins 12 secs ] | Clarence Carter |
Woman's Got Soul | B. B. King | 1 | tribute to Curtis Mayfield | Various Artists | [ 3 mins 50 secs ] | Curtis Mayfield | |
Keep a Dollar in Your Pocket | Elvin Bishop feat. B. B. King | 5 | The Blues Rolls On | Elvin Bishop | Delta Groove Music | [ 4 mins 53 secs ] | Roy Milton |
Miss Martha King | B. B. King | 1 | Got The Blues | B. B. King | CATFISH | [ 2 mins 40 secs ] | B. B. King |
When Your Baby Packs Up and Goes | B. B. King | 2 | Got The Blues | B. B. King | CATFISH | [ 2 mins 28 secs ] | B. B. King |
Got the Blues | B. B. King | 3 | Got The Blues | B. B. King | CATFISH | [ 2 mins 47 secs ] | B. B. King |
Take a Swing With Me | B. B. King | 4 | Got The Blues | B. B. King | CATFISH | [ 2 mins 33 secs ] | B. B. King |
Five Spot | Otis Spann feat. B. B. King | 6 | Chicago Blues - Chess Masters | Various Artists | CHESS | [ 2 mins 43 secs ] | Otis Spann |
Blues Hotel | Koko Taylor feat. B. B. King | 6 | Royal Blue | Koko Taylor | Alligator | [ 4 mins 4 secs ] | jon tiven |
how blue can you get | b b king | 15 | how blue can you get live recordings | b b king | MCA | [ 5 mins 57 secs ] | feather |
Recession Blues | B. B. King | 15 | Chess Rarities | Various Artists | CHESS | [ 2 mins 22 secs ] | B. B. King |
Tickle Britches | B. B. King | 17 | Chess Rarities | Various Artists | CHESS | [ 0 mins 0 secs ] | B. B. King |
Better Not Look Down | B. B. King | 2 | Introducing B. B. King | B. B. King | MCA | [ 3 mins 11 secs ] | sample / jennings |
When it All Comes Down | B. B. King | 5 | King Of The Blues | B. B. King | MCA | [ 4 mins 12 secs ] | B. B. King |
Sunday, 10 May 2015
STAR BLUES on 10th May 2015 at 22:00 surveying blues players under 30 *and* marking BMA winners
... after last weeks run through of senior players, we wanted to show our music is in great shape by including the new crop of artists. It made for a different sounding STAR BLUES, a shift toward the guitar-heavy end of our music reflecting what the next blues will sound like? Selwyn Birchwood and Jarekus Singleton are both on Alligator leading the youthful charge. Robert Randolph (slightly older) adds a gospel passion to his breakneck playing, the arrangements stem from the Sacred Steel style. No surprise if you remember the project called "The Word" he did a few years back.
Some our picks for the future of blues also came along in the show: Brandon Bailey who has a mature harp style that avoids over-playing, he learned at the knee of Adam Gussow. Valerie June has an altogether more eclectic take on her muse, she's hard to characterize but I can hear elements of the classic blues women along with some country blues in her work. Jerron Paxton is definitely old school - both in terms of his approach and his material. Close your eyes and you're back pre-war. I can't believe how scarcely he's recorded so far, but he is only 24. Marquise Knox is another eloquent player with nice control and tone in his guitar playing. Nice voice, skilled writer too. We've played the Homemade Jamz band for a number of years now; three talented players, one not even a teenager when they started out. Two still are. Dad plays harp on some songs but that's a bonus not a centre-piece.
Talent at a youthful age isn't new of course: in evidence we brought tracks by Sugar Chile Robinson, Young Jessie and Sugar Boy Crawford.
If you haven't had your fill of voting this week, there was also time to reflect on the newly announced BMA winners. The afore-mentioned Selwyn Birchwood got a gong for his debut disc, probably the first of several awards he'll get. Memphis played host to the Blues Music awards on Thursday night and the honours got shared about more than in previous years. Elvin Bishop won Band, Song and Album; Bobby Rush got Soul Blues (Male) and BB King Live Entertainer - no other multiple winners. The list of winners and those nominated is here:
http://www.americanbluesscene.com/2015/05/2015-blues-music-awards-winners/
It was announced this week that founding father of the Delta Groove stable of labels, Randy Chortkoff has died. Of the dozens of albums he enabled, we chose three including a cut off the latest Mannish Boys album that had him playing supple harp. I found out about his passing just as I unwrapped the new project by Sugaray Rayford, a man with a big expressive voice here in a setting of sympathetic arrangements and to notch ensemble playing. We'll return to the album pretty quick-smart.
There was other stuff in the show I'd just discovered (Mr. Sipp) and a couple of record-fair bargains (Eddie Burns, Calvin Frazier). Before I knew it the midnight hour stole you away and we're making plans for next Sunday already. Until then take care of yourselves and take care of those that take care of you
Created: 10/05/2015 23:54:12
Some our picks for the future of blues also came along in the show: Brandon Bailey who has a mature harp style that avoids over-playing, he learned at the knee of Adam Gussow. Valerie June has an altogether more eclectic take on her muse, she's hard to characterize but I can hear elements of the classic blues women along with some country blues in her work. Jerron Paxton is definitely old school - both in terms of his approach and his material. Close your eyes and you're back pre-war. I can't believe how scarcely he's recorded so far, but he is only 24. Marquise Knox is another eloquent player with nice control and tone in his guitar playing. Nice voice, skilled writer too. We've played the Homemade Jamz band for a number of years now; three talented players, one not even a teenager when they started out. Two still are. Dad plays harp on some songs but that's a bonus not a centre-piece.
Talent at a youthful age isn't new of course: in evidence we brought tracks by Sugar Chile Robinson, Young Jessie and Sugar Boy Crawford.
If you haven't had your fill of voting this week, there was also time to reflect on the newly announced BMA winners. The afore-mentioned Selwyn Birchwood got a gong for his debut disc, probably the first of several awards he'll get. Memphis played host to the Blues Music awards on Thursday night and the honours got shared about more than in previous years. Elvin Bishop won Band, Song and Album; Bobby Rush got Soul Blues (Male) and BB King Live Entertainer - no other multiple winners. The list of winners and those nominated is here:
http://www.americanbluesscene.com/2015/05/2015-blues-music-awards-winners/
It was announced this week that founding father of the Delta Groove stable of labels, Randy Chortkoff has died. Of the dozens of albums he enabled, we chose three including a cut off the latest Mannish Boys album that had him playing supple harp. I found out about his passing just as I unwrapped the new project by Sugaray Rayford, a man with a big expressive voice here in a setting of sympathetic arrangements and to notch ensemble playing. We'll return to the album pretty quick-smart.
There was other stuff in the show I'd just discovered (Mr. Sipp) and a couple of record-fair bargains (Eddie Burns, Calvin Frazier). Before I knew it the midnight hour stole you away and we're making plans for next Sunday already. Until then take care of yourselves and take care of those that take care of you
track.title | track.artistsort | index | album.title | album.artistsort | label | duration | writercredit |
America's Blues | Marquise Knox | 6 | Here I Am | Marquise Knox | APO | [ 4 mins 1 secs ] | Marquise Knox |
lying woman | phillip walker | 1 | going back home | phillip walker | de;ta groove | [ 3 mins 31 secs ] | percy mayfield |
i dolize you | mannish boys | 7 | wrapped up and ready | mannish boys | de;ta groove | [ 4 mins 41 secs ] | ike turner |
master of the game | jackie payne | 2 | master of the game | jackie payne | de;ta groove | [ 3 mins 8 secs ] | jackie payne & steve edmundson |
Nobody | Robert Randolph & The Family Band | 3 | Unclassified | Robert Randolph & The Family Band | WARNER BROS. | [ 4 mins 32 secs ] | Robert Randolph & The Family Band |
Hole in My Heart | Mr. Sipp | 4 | The Mississippi Blues Child | Mr. Sipp | Malaco Records | [ 4 mins 43 secs ] | Mr. Sipp |
You Don't Miss Your Water | Ruthie FosterWilliam Bell | 4 | Let It Burn | Ruthie Foster | Blue Corn Music | [ 3 mins 59 secs ] | William Bell |
Workin' Woman Blues | Valerie June | 1 | pushing against a stone | Valerie June | [ 3 mins 5 secs ] | Valerie June | |
Dirtiest Little Darling | Blind Boy Paxton | 1 | Dirtiest Little Darling / Railroad Bill | Blind Boy Paxton | EVANGELIst | [ 3 mins 32 secs ] | Blind Boy Paxton |
Bye Bye Bird | Brandon O. Bailey | 8 | Memphis Grooves | Brandon O. Bailey | APO | [ 2 mins 56 secs ] | sonny boy williamson |
Blues Train | Homemade Jamz Blues Band | 6 | The Game | Homemade Jamz Blues Band | [ 4 mins 36 secs ] | ryan perry | |
Overworked And Underpaid | Selwyn Birchwood | 7 | Don't Call No Ambulance | Selwyn Birchwood | Alligator | [ 4 mins 6 secs ] | Selwyn Birchwood |
Hit, Git And Split | Young Jessie | 15 | Jiving Jamboree | Various Artists | ACE | [ 2 mins 32 secs ] | smith, paul |
Have A Little Mercy | Sugar Boy Crawford | 17 | Kings Of New Orleans R'n'b | Various Artists | MUSIC CLUB | [ 2 mins 36 secs ] | rebennack |
Numbers Boogie | Sugar Chile Robinson | 4 | The R'n'b Years 1949: 100 Hot Rhythm And Blues Tunes From 1949 | Various Artists | BOULEVARD VINTAGE | [ 2 mins 27 secs ] | Sugar Chile Robinson |
the sista don't play | sista monica | 1 | live at notodden | various artists | [ 5 mins 1 secs ] | sista monica parker | |
Can't Even Do Wrong Right | Elvin Bishop | 1 | Can't Even Do Wrong Right | Elvin Bishop | Alligator Records & Artist Management, Inc. | [ 3 mins 46 secs ] | Elvin Bishop |
I Ain't The One | Bobby Rush | 3 | Down In Louisiana | Bobby Rush | DEEP Rush | [ 3 mins 36 secs ] | Bobby Rush |
Nineteen Years Old | Mud Morganfield | 3 | For Pops | Mud Morganfield | SEVERN | [ 4 mins 9 secs ] | mckinley Morganfield |
Trouble In My Way | Lurrie Bell | 8 | The Devil Ain't Got No Music | Lurrie Bell | ARIA | [ 4 mins 12 secs ] | Lurrie Bell |
lily mae | calvin frazier | 5 | blues for big town | various artists | chess | [ 2 mins 23 secs ] | calvin frazier |
treat me like i treat you | eddie burns | 12 | blues for big town | various artists | chess | [ 2 mins 18 secs ] | eddie burns |
Red's Ride | Red Boyd | 24 | The Modern Downhome Blues Sessions Vol. 1 | Various Artists | ACE | [ 0 mins 0 secs ] | Red Boyd |
Catch That Teardrop | '5' Royales, The | 3 | Catch That Teardrop | '5' Royales, The | ACE | [ 2 mins 31 secs ] | '5' Royales, The |
southside | Sugaray Rayford | 1 | southside | Sugaray Rayford | Delta Groove | [ 5 mins 1 secs ] | Sugaray Rayford |
gonna let go | Jarekus Singleton | 3 | refuse to lose | Jarekus Singleton | alligator | [ 3 mins 40 secs ] | Jarekus Singleton |
Sunday, 3 May 2015
STAR BLUES on 3rd May 2015 at 22:00 celebrating the current crop of senior blues players
.. not just B. B. King; we are proud to celebrate Jimmy Johnson, Bobby Rush, Henry Gray, Eddie C. Campbell, Eddie Clearwater, Fats Domino, Otis Rush. Our thoughts of course are with B's family at this time of uncertainty. Just adding the ages of these artists gets you up around the 700 mark, but the sum total of their influence is so much more. These aren't curios gathering dust in a museum either: Henry Gray has a new album with Bob Corritore due out in June, there's a new one in the works from Jimmy Johnson and Dave Specter, and Eddie Clearwater released a new live record called "Soul Funky" just a month or so back. I even noticed Eddie live on Facebook while on air, no doubt smiling at our choice to include his "Cool Walk" track in the first hour. Already a listener favourite!
The life of a working musician for these players has been hard-won: all started out in an era of segregation made to feel second class the moment they came off stage. Slogging up and down the interstates, even driving their own tour bus has been part of who they are. That they are still making great music is remarkable indeed. I hope our survey on STAR BLUES last night did them proud.
Two artists with famous fathers at the top of the shop: Chris' dad is Joe Beard the jazz maestro and Rip Lee Pryor showed the apple don't fall far from the tree planted by his dad, Snooky Pryor. Plenty of substantial blues on the distaff side too from Bessie Jackson, Ruby Glaze and Margie Day. Pre-war highlight came in the form of Son House and the immortal "Walking Blues", the power bursting through the fidelity of eighty years hence. I stumbled across Square Walton on t'internet and was delighted to learn the track was already in my collection - and on your radio yesterday.
Over in the piano tent, Amos Milburn had a song rejected by the Aladdin label, rescued for first release by compiler Dave Penny when he put together a chronological survey on the Clasics imprint. The minor key flourish from Jimmy Yancey was his trademark and left no doubt who was in charge on the Faber Smith piece. Dave also writes for Blues & Rhythm magazine, whose issue #299 has just hit the mat - it has for the last thirty odd issues included "Rays Rudiments" a remarkable series of features on key blues artists with guide to their prime recordings. Ray Templeton is the writer/compiler and the latest to come under his gaze is Jimmy Reed. If you don't believe what Jimmy did for the blues, especially here in Britain, just ask Mick Jagger.
If you hear better blues guitar playing than that of Mississippi John Hurt's "Hot Time In Old Town" I'll eat my socks. With a single trice our two hours together were done, I'm planning two more next Sunday round your place at 10pm (BST) so until then take care of yourselves and take care of those that take care of you
Created: 03/05/2015 23:52:13
The life of a working musician for these players has been hard-won: all started out in an era of segregation made to feel second class the moment they came off stage. Slogging up and down the interstates, even driving their own tour bus has been part of who they are. That they are still making great music is remarkable indeed. I hope our survey on STAR BLUES last night did them proud.
Two artists with famous fathers at the top of the shop: Chris' dad is Joe Beard the jazz maestro and Rip Lee Pryor showed the apple don't fall far from the tree planted by his dad, Snooky Pryor. Plenty of substantial blues on the distaff side too from Bessie Jackson, Ruby Glaze and Margie Day. Pre-war highlight came in the form of Son House and the immortal "Walking Blues", the power bursting through the fidelity of eighty years hence. I stumbled across Square Walton on t'internet and was delighted to learn the track was already in my collection - and on your radio yesterday.
Over in the piano tent, Amos Milburn had a song rejected by the Aladdin label, rescued for first release by compiler Dave Penny when he put together a chronological survey on the Clasics imprint. The minor key flourish from Jimmy Yancey was his trademark and left no doubt who was in charge on the Faber Smith piece. Dave also writes for Blues & Rhythm magazine, whose issue #299 has just hit the mat - it has for the last thirty odd issues included "Rays Rudiments" a remarkable series of features on key blues artists with guide to their prime recordings. Ray Templeton is the writer/compiler and the latest to come under his gaze is Jimmy Reed. If you don't believe what Jimmy did for the blues, especially here in Britain, just ask Mick Jagger.
If you hear better blues guitar playing than that of Mississippi John Hurt's "Hot Time In Old Town" I'll eat my socks. With a single trice our two hours together were done, I'm planning two more next Sunday round your place at 10pm (BST) so until then take care of yourselves and take care of those that take care of you
track.title | track.artistsort | index | album.title | album.artistsort | label |
Hey Baby | Chris Beard | 12 | Who I Am & What I Do | Chris Beard | ELECTRO Glide |
Stuck On Stupid | Rip Lee Pryor | 9 | Nobody But Me | Rip Lee Pryor | |
Stubborn Woman | Tutu Jones | 9 | I'm For Real | Tutu Jones | JSP Records |
don't let daddy slow walk you | Rusty Zinn | 1 | sitting and waiting | Rusty Zinn | black top |
Cool Blues Walk | Eddy 'The Chief' Clearwater | 4 | Box Of Blues | Various Artists | Rounder |
Pleadin' For Love | Roscoe Shelton | 17 | The Real Excello R'n'b | Various Artists | ACE |
i'm going upside your head | Jimmy Reed | 22 | rockin with reed | Jimmy Reed | charly |
Angel Child | Peppermint Harris | 7 | I Pity The Fool - The Duke Records Story | Various Artists | One Day Music |
The Trace | Phillip Walker | 10 | Stepping Up In Class | Phillip Walker | ORBIS BLUES COLLECTION |
Small Town Baby | Maurice John Vaughn | 12 | In The Shadow Of The City | Maurice John Vaughn | . |
Serves Me Right To Suffer Aka Memory Pain | Jimmy Johnson | 3 | Living Chicago Blues, Vol. 1 | Various Artists | Alligator |
first time i met the blues | Buddy Guy | 29 | chicago bound | Various Artists | fantastic voyage |
Crazy Bout You | Bobby Rush | 2 | The Essential Recordings - Vol.1 | Bobby Rush | DEEP Rush |
Ain't That Just Like A Woman | Fats Domino | 26 | R&b Spotlight '61 | Various Artists | Fantastic Voyage |
Watch Yourself - Henry Gray | Henry Gray | 1 | Chicago Blues [Parrot Blues] | Various Artists | V.I. |
cool cool mama | Eddie C. Campbell | 5 | hopes and dreams | Eddie C. Campbell | |
She's A Good'un | Otis Rush | 10 | Good'uns : The Classic Cobra Sides | Otis Rush | BLUESIDE |
Ice Cream Man | John Brim | 13 | Chess Blues | Various Artists | CHESS |
Stubborn As A Mule | Margie Day | 22 | Voodoo Voodoo: Feisty Fifties Females | Various Artists | Fantastic Voyage |
Memphis Blues | Lizzie Miles | 6 | Blues Tunes | Various Artists | HIT |
That's What My Baby Likes | Bessie Jackson | 10 | Broke Black And Blue | Various Artists | PROPER |
Gimme Your Bankroll | Square Walton | 99 | Down Home Blues Classics | Various Artists | BOULEVARD VINTAGE |
Playmate Shuffle | Eddie Boyd | 7 | The Blues Is Here To Stay | Eddie Boyd | Jasmine Records |
Real Crazy | Amos Milburn | 19 | Chronological Amos Milburn 1950-1951 | Amos Milburn | CLASSICS |
Walking Blues | Son House | 20 | Broke Black And Blue | Various Artists | PROPER |
Hot Time In The Old Town Tonight | Mississippi John Hurt | 9 | Complete Studio Recordings | Mississippi John Hurt | VANGUARD |
Lonesomeday Blues | Ruby Glaze | 8 | The Great Women Blues Singers | Various Artists | RETRO |
Can't Get Enough | Clara Burston | 27 | Cincinnati Blues | Various Artists | CATFISH |
East St. Louis Blues | Faber SmithJimmy Yancey | 1 | Broke Black And Blue | Various Artists | PROPER |
Ross Tavern Boogie | Art Hodes | 8 | The Best Of Boogie Woogie | Various Artists | DOCUMENTS |
Believe In Me | Little Milton | 5 | Who's Cheatin' Who | Little Milton | TRACE |
Subscribe to:
Posts (Atom)